The following summaries and quotations provide a sample of the critical perspectives on this story.
Interpreting edith whartons roman fever 18 September Interpreting Edith Wharton's "Roman Fever" Definitive criteria for judging the success or failure of a work of fiction are not easily agreed upon; individuals almost necessarily introduce bias into any such attempt.
Only those who affect an exorbitantly refined artistic taste, however, would deny the importance of poignancy in literary pieces. To be sure, writings of dubious and fleeting merit frequently enchant the public, but there is too the occasional author who garners widespread acclaim and whose works remain deeply affecting despite the passage of time.
The continued eminence of the fiction of Edith Wharton attests to her placement into such a category of authors: From the story's first sentence, upon the introduction of two women of "ripe but well-cared-for middle age," it becomes clear that stereotypes are at issue Wharton This mild description evokes immediate images of demure and supportive wives, their husbands' wards.
Neither woman is without her "handsomely mounted black handbag," and it is not until several paragraphs into the piece that Mrs. Ansley even acquire first names Thus, without even disclosing any of the ladies' thoughts to the reader, Wharton has already revealed a great deal of their personal worlds.
They live in a society which expects women to act largely as background figures, thoroughly engaged with furthering their husbands' careers and the constant struggle to remain pretty. As the workings of the characters' minds are revealed, the extent to which they have internalized these values becomes apparent.
Each, in their brief description of the other, mentions that her acquaintance was quite beautiful in her youth. Alida recalls how much she enjoyed having been married to a famous lawyer; she misses being "the Slade's wife" Startlingly, now that their husbands are dead, we find that the women consider themselves to be in a state of "unemployment" !
But just as it begins to seem as if these women have wholly adopted their societally prescribed personas, one begins to see deviations from the stereotype. One had begun to expect these "ripe but well-cared-for" women capable only of suitably "feminine" mediocrities, but this comment reveals an insightful intellect hidden beneath the personality's surface.
Slade, worrying that Mrs. Ansley's daughter "would almost certainly come back engaged to the extremely eligible Campolieri," and concerned that her own daughter may be serving "as a foil" for the young Ansley's beauty, reveals the grim seriousness with which a woman was forced to take marriage One begins to realize the lengths to which females put themselves in order to conform to a decidedly cartoonish gender role as Wharton begins to expose the shortcomings and paradoxes of this sexual stereotype.
Slade's confession of forgery and Mrs.
The myth of sedate and subservient women is exploded as one realizes them fully possessed of those traits previously held to be the exclusive property of men: Wharton's story is groundbreaking in its presentation of two female characters who are not defined, first and foremost, by their sex, but by their species.
Here, however, is the reason behind the piece's continued success.Roman Fever: 1 of 1: Assignment: From Edith Wharton’s description, the women have a view of Palatine, the Colosseum, and the Palace of the Caesars. The setting of the Forum accentuates this interpretation of the relationship between the women.
The Forum, at its prime, was full of much drama, tragedy, secrecy, and treachery that.
Roman Fever and Other Stories study guide contains a biography of Edith Wharton, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
Change in Roman Fever by Edith Wharton - Change in Roman Fever by Edith Wharton Chance (or coincidence) has an ambiguous role in the outcome of different situations; it .
This volume will examine a wide range of Whartons works, from her major novels The description " Edith Wharton and the paradox of fin-de-siècle modernity / Charlee Sterling Edith Wharton's "Roman fever," or the revenge of Daisy Miller / Robert Klevay -- Hotel kids incorporated: Childhood counterculture in Edith Wharton's late.
“While [‘The Other Two,’ ‘Roman Fever,’ and ‘The Pretext’] have their dark aspects, for instance, and from one perspective the characters are caught in appalling situations, Wharton insists that we all see the broadly humorous side of their dilemmas.
The name "Roman fever" is also ripe for punning, which Henry James just loves. Edith Wharton, James's good friend and mentee, used it for the title of a short story about adultery. It can mean anything from the attraction American women experience towards Roman men to the romantic appeal of the ancient city itself.