A short biography of a musician nam june paik

Wiley bornpainter, printmaker Larry Zox —painter Vija Celmins bornpainter, graphic artist, printmaker Janet Fish bornpainter Robert Grahamsculptor Dick Higgins —Fluxus artist, composer, writer Robert H.

A short biography of a musician nam june paik

What he saw when he looked at the world led him to take physical objects from the world, primarily electronic objects, and create new constructions with them, new visual representations of other objects, such as monuments constructed out of television monitors. Each of his creations challenged his viewers to think in a new way, to consider the absurdity of his combinations, and at the same time, their inevitability.

Early life Born in SeoulPaik had four older brothers and a father who worked as a textile manufacturer. As he was growing up, he was trained as a classical pianist.

InPaik and his family had to flee from their home during the Korean War. His family first fled to Hong Kongbut later moved to Japanfor reasons unknown. Six years later, he graduated from the University of Tokyo. He wrote a thesis on composer Arnold Schoenberg.

He made his big debut at an exhibition known as Exposition of Music-Electronic Television, in which he scattered televisions everywhere, and used magnets to alter or distort their images.

InPaik moved to New Yorkand began working with classical cellist Charlotte Moorman, to combine his video, musicand performance. In the work TV Cello, the pair stacked televisions on top one another, so that they formed the shape of an actual cello. When Moorman drew her bow across the "cello," images of both her playing, and images of other cellists playing appeared on the screens.

InSony introduced the Portapak. With this, Paik record things while moving, for it was the first portable video and audio recorder. From there, Paik became an international celebrity, known for his creative and entertaining works. Paik developed the idea of an "Electronic Superhighway" as early asin his text, "Media Planning for the Postindustrial Society.

In another work, Something Pacifica statue of a sitting Buddha faces its image on a closed circuit television. Another piece, Positive Egg, displays a white egg on a black background. In a series of video monitors, increasing in size, the image on the screen becomes larger and larger, until the egg itself becomes an abstract, unrecognizable shape.

In Video Fish, [5] froma series of aquariums arranged in a horizontal line contain live fish swimming in front an equal number of monitors which show video images of other fish. Smithsonian American Art Museum. With this piece, Paik offers up an unsettling commentary about an American culture obsessed with television, the moving image, and bright shiny things.

Paik was also known for making robots out of television sets. These were constructed using pieces of wire and metal, but later Paik used parts from radio and television sets. Two years later, inhe further showed his love for his home with a piece called, The More the Better, a giant tower made entirely of one thousand and three monitors, for the Olympic Games being held in Seoul.

InNam June Paik had a stroke, which left him partially paralyzed. A final retrospective of his work was held inat the Guggenheim Museum in New Yorkintegrating the unique space of the museum into the exhibition itself.

This coincided with a downtown gallery showing of video artworks by his wife, Shigeko Kubota, mainly dealing with his recovery from the stroke. You pull tricks and you get tricked. Art is what makes the public numb.Nam June park was born in Seoul, South Korea in and died on 29th of January, - Nam June Paik introduction.

A short biography of a musician nam june paik

He was a south Korean and an American video artist, performer, and a musician. He was a south Korean and an American video artist, performer, and a musician.

He was born Nam June Paik on July 20, in Seoul, South Korea. He was the fifth son of a textile manufacturer.

A short biography of a musician nam june paik

Young Paik was fond of . Nam June Paik (Korean: 백남준, July 20, – January 29, ) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. [1] [2] He is credited with an early usage () of the term "electronic super highway" in application to telecommunications.

Paik's TV Cello (), for example, was designed as a performance piece that combined aspects of live music and electronic video display with a participation component. Lesson Summary Korean-born electronic artist Nam June . It was organized by the Smithsonian American Art Museum’s senior curator for media arts and the leading expert on Nam June Paik, John Hanhardt.

Nam June Paik Biography – Nam June Paik on artnet

All the art work shown was created by Nam June Paik. All images are courtesy of . Nam June Paik was born into a bourgeois manufacturing family in Seoul, during a turbulent time when Korea was under Japanese rule (). Whereas most Koreans were only granted access to a primary school education under restrictions by the Japanese, Paik was trained as a classical pianist from a very young age.

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